I met Giuseppe at the SCBWI North and East Bay Conference. We struck up a conversation at dinner about illustrators and writers, and I learned so much that I asked him for an interview. He graciously agreed. And, not only did he do that, he answered my questions with much detail.
With all that he had going on; work, the perfect storm, and trying to get things done at home, since the office was shut down...and with twins running around. I'm surprised he got to my interview, let alone answered so greatly.
Thank you Giuseppe! You rock!!
Below are the questions I asked him:
1. What's the best thing about your job? The worst?
• There are so many great
aspects of my job. Too numerous to write. I will say that above all else, the
best thing about my job is that through making books we help children learn—and
then love—to read. An unfortunate aspect of my job is the disappointment that
comes when a project you believed in isn't as successful as you had hoped.
2. Why did you choose to be an art director?
• I wasn't planning on it early
on. I was an illustration major at RISD (BFA Illus., '99). To help support that
goal, I started looking at design assistant positions. One thing led to another
and I was hired as a design assistant at Simon & Schuster in May of 1999.
Fast forward thirteen years and here we are.
3. What time do you get up, and what do you
eat for breakfast?
• When one of my children starts
chanting "MAMA! BABBO! (daddy in Italian)". My breakfast consists of
whatever my children don't eat. Recently, it's been toast with peanut butter or
cream cheese, cheerios, and fruit.
4. You are an award-winning illustrator.
What's your favorite medium? And, do you still get enough time to draw and
paint for yourself?
• My medium of choice depends on
the situation. If I'm doodling, it's with a pen. I love the permanency of it. I
can't erase what I do so it forces me to stay alert and be sure of my
decisions. Happily, for my "Mister Doodle" series that won in the New
York Book Show I was able to use my favorite collection of pens and gray
markers.
• If/when I have the time,
my true love is oil painting. Having three children under the age of five, it's
impossible for me to pull out the easel, zinc white, cadmium red, and other
lovely and toxic colors to paint with. I will one day—when I'm not worried that
my children would drink the linseed oil.
5. Complete this sentence: If I see one more
submitted (blank) drawing, I will jump off the nearest bridge.
• Well, it's unfair to go that
far. The artists don't know that I'm receiving 10-15 postcards a day with
(blank) on them. What is disappointing is when the postcard or email doesn't
put the artist's best foot forward.
They should remember that postcards should
be as big as possible with their most compelling image on the front—and that's
it. All the information can be relegated to the back of the card. Too often, an
illustrator will use up very valuable postcard space on the front showing their
info in 19 point type, while the art itself is tiny.
In emails, remember to
keep it short, provide a link, and be professional.
6. Where's the best place to get a cup of
Joe or tea in your hometown?
• My hometown is Baltimore,
Maryland. When I have coffee there, it's at my mom's. And it's some really good
espresso. In New York, it has to be the street vendor coffee. It's cheap, good,
and quick. After two visits they typically know what you want and start talking
to you about the weather and families.
7. What do you think about the publishing
world today? Is it easier or harder to find great new talent now that everyone
is self-publishing?
• I think it's an exciting time.
There is some incredible work being done both in terms of writing and art. And,
children’s books are selling beautifully across the board. More kids are
reading. It's hard not to be excited about that. The positive sales direction
certainly has a lot to do with the continuing growth of e-books. As I'm seeing
it, there's a place in the market for traditional and digital publishing and
I'm proud to be part of a company, Penguin, that embraces both.
8. What changes has Penguin done that will
help make your clients more competitive in this ever-changing publishing world?
• Penguin possesses the world's
most prestigious list of bestselling, award-winning authors. It is home to Eric
Carle, Tomie dePaola, Beatrix Potter, Jan Brett, and so many more. It's my view
that we excel at identifying and growing the best talent. That is what keeps
Penguin at the top of the industry.
9. What is your number one role?
• I think it's the role of a
director in any field to provide two things: support and information. As it
relates to me, that manifests in myriad ways: working with the publisher and
editors to establish a visual identity to a list; helping designers with
schedules and artist searches; reviewing mechanicals and proofs; establishing
and maintaining our budget; etc.
10. What's the most interesting part about designing a book cover?
The most difficult?
• Many contributing factors go
into designing a successful book cover. It's much more than just finding art
and putting a title on it. I'd say an interesting part is seeing all of these
factors come together to form a strong package. Conversely, it can be the most
difficult part.
11. What words of advice do you have for a newbie illustrator and/or
writer?
• It's important to push
yourself to evolve and grow. Early on in your career, there will probably be
some misses (I don't like the word rejection—it has a finite implication).
However, it's vital to stay with it and to focus on what you can control: set
up a website; give yourself assignments for you portfolio; network through
social media, SCBWI, etc. It is a trade. And like any trade, you need to work
on it constantly. I think doing all of this gives you a higher chance of
success.
12. Why do you attend SCBWI events?
• It's an opportunity to meet
the great people in our industry and to talk about children's books. What's
better than that? I attend SCBWI events as often as I can (which isn't often,
but I'm potentially doing three next year). I did an Oakland conference this
Fall which was a complete joy. I was given the opportunity to speak at length
about my art department and the relationship between us and the illustrator.
It's also an opportunity to help in any way I can which I am grateful for.
13. What other associations do you belong or attend? Why?
• I work with CBIG (Children's
Book Illustrators Group) doing portfolio reviews and talks. I'm a frequent
visitor of my alma mater, RISD, speaking to the young illustrators there. All
of these things are done in an attempt to meet new people in the industry and
to maintain a relationship with the publishing community.
14. Who is your biggest cheerleader?
• My wife, no question. If a
cheerleader is an enthusiastic supporter, she is all of that and more.
15. What one word best describes you?
• I say "tired." My
wife says, "thoughtful". Let's go with that.
16. Who are you reading right now?
• W. Somerset Maugham's
"Moon and Sixpence". It's my favorite book and I try to read it once
a year for my birthday in May. I'm a little late this year. It's a story of man
who leaves a seemingly good life to pursue his desire to become an artist. It's
said to be loosely based on Gauguin's life. We're also reading Puffin's
"The Fantastic Mr. Fox" to my son.
17. What one thing would you tell a newbie illustrator NOT to do
when submitting work?
• Here is something I would tell
them TO do: Tailor your submission to what the imprints have done and are
doing. Let them see that your style is in line with the type
of books that the imprint produces.
18. What's the funniest thing your kids have asked you about your
job?
• My job has a lot to do with
art. My son has been saying lately, "I want to be a Space Explorer Artist.
I fly around and draw planets. If I run into trouble, I'll have to stop drawing
and pull out my sword."
19. When searching for that new talent, what 5 things do you look
for? What's the whole package in your opinion?
• I don't have a checklist. When
I look for artists it's usually for a specific project. In that case, I ask
myself, "What feeling are we trying to convey, and which artist would help
convey it?" We look for artists who will also bring more to the table than
their ability to draw. They need to be able to work on a deadline; communicate
their thoughts and ideas; and above all: problem solve.
• I think your blog readers
should focus on honing their craft. And hopefully one day we'll be able to work
together on some exciting projects.
21. Do you get a sense that "this new idea" is going to be
big? Or, is it hard to predict the works that will take off, and become the
next big thing?
• We plan for all of our books
to be successful. A great deal of thought and planning goes into that. However,
there are times when the writing, editing, art direction, and illustration all
come together so beautifully, you get a sense that it could be bigger than what
you had earlier envisioned.
22. Who would you like to work with? Writer? Illustrator? Why?
• Do you have a time machine?
Beatrix Potter. I just saw the Beatrix Potter exhibit at the Morgan Library
here in New York, and it was inspiring. If your readers have a chance to see
it, they should.
23. Any big news?
• My three kids are starting to sing in
Italian. Nothing cuter than that.
Angie, you interview the best people ;-)
ReplyDeleteThank you - they are pretty cool people in the world!
ReplyDeleteFantastic interview!
ReplyDelete