Monday, November 25, 2013

TRADITIONAL PUBLISHING ROUTE: Mostly Pros and Not Many Cons

 Many of you know that I am revising my latest book, ANIMALIA. And during this process, I have been asked many times, "Why don't you self-publish?" Well, I'm going to answer that question and hopefully a few more.

So why don't I self-publish? The answer is first, I want to see if I can do it the traditional way. I want to see if my ideas and writing are good enough to snag the interest of an agent and then a publisher and an editor. 

And honestly, self-publishing scares me. There's so much you have to know and learn, and to do that, I know I would stop writing for a time in order to learn it all. I'd have to promote myself. Where? How? I'd have to learn that too.


When it comes down to it, I am a writer, not an editor, not a publisher, not a promoter, not a distributor. I just want to write.


But maybe the most compelling reason I am going the traditional route is an email I received from my mentor. I will list the important parts below.

Here's what he said:

  • An agent will find you the right publisher, and, when dealing with that publisher, will not only try to get you a bigger advance--but will try to nail down a two or three-book deal, giving you momentum, cash, and confidence.  


  • An agent will know how to work the contract--given the publisher--finessing the sub right: movie, audio, e-book, etc.  Agents actually do earn their money.  It's to their benefit, of course, to make the best deal for you.

  •         A publisher wants every book to succeed, and they'll pair you with an editor who will push you to develop the novel even more than you can imagine and produce the best version of it--work on the novel hardly stops when the deal is signed.  

  • A publisher shepherds the book all the way through to a finished version, from developmental drafts to ms. copy, copy-editing, etc.  It's painstaking and hard work.

  •         It's important that your book appears on a kids' list. Your book needs to get to the right people--the reps who know how to sell kid's books and to whom, the reviewers who can best help the book, and those contests and awards that can really help a book take off.   


  • Perhaps most importantly of all for kids' books, they'll help you get to the librarians.  Libraries are a huge part of the kids' world, not only the sheer number of books kids librarians buy but getting those books into the hands of readers who will then use word of mouth, etc.  It's a vital link for kids' books.

  •  Now, to the money.  Yes, under an alternative deal, you might, as the author, get more $ per book sold than with a traditional publisher.  But you will, I assure you, sell far fewer books.  Agents and publishers do so much more than most people think.  And what they do makes a huge difference.


So there you have it from my mentor to you as to why I will be traditionally publishing. Choose wisely, my fellow writers. And know what you are getting yourself into whichever route you decide.


Good luck!
Write~on,
Angie

Sunday, November 17, 2013

2014 Writer's Retreats

Book your retreats now for 2014. Below is a simple list of what's coming up in the next year. Whether you want to serve up some yoga with your prose, surround yourself with writers of adult fiction, children's writers, or romance or mystery writers, there's a retreat for you. Fly to an amazing far away country or hike and write in your own city. But get out there and enjoy yourself while upping your craft.





I hope to see you out there writing, making new friends in the muse, and enjoying your craft.


Write~on
Angie

Tuesday, November 12, 2013

REJECTIONS: Nooooooooo!


This topic was requested by one of my writer friends who just received a rejection. You can do it, man! I believe in you!





Okay, so you, the brave writer that you are…you wrote a book. You poured your heart and soul. You used your own experiences. You cried. You loved. You even killed your babies. You then wrote a query letter, attempting to express your bleeding heart book in 8 - 10 sentences. You accomplished this, and you are proud of it. You write a kick-ass synopsis too. 


And then you did your agent research. You used query tracker, and writer's digest, listened to writer friends, and took notes at conferences. You chose your favorites, those agents you feel a kindred spirit with. You write what they like. You know you would work well together.  


You go to their websites. You learn what they want in a submission. You do exactly that. You press the send button or the button they have to accept queries. You know it will take 4 - 6 weeks to get an answer if you ever get an answer at all. But it could take 6 months. You wait. You bite your nails. You work out excessively. You eat chocolate by the ton. You drink too much wine or beer. You cry…what did I do? Was it ready? Was it perfect? You can't sleep….



Then one morning, you wake to an inbox email with your favorite agent's name in the from-slot. You stare at it. Your heart races. This could be the day you get your dream agent. This could be the day the world discovers you as the amazing author you are. This could be the day your book goes to the Number One Best Sellers List and then gets made into a movie! (If you're going to dream…dream big!)



You click on the email. And eagerly read the first line…




Dear Author,
Thank you for your submission, but after careful consideration, I must decline. blah, blah, blah… You see nothing else after that.







You drop to the floor. You lie there staring at the ceiling, wondering what in the h-e-double hockey sticks you are doing with your life. Why do you even try? Why not just self-publish like everyone keeps asking why you're not doing???








Not sure if this is just me….or if you've experienced this same feeling of REJECTION? It's probably just me, but in the case that you, too, have done this and felt this way, I'll go on.






Agents reject books and projects for various reasons. Here are a few:








  • the agent is full - they have topped out at the maximum clients they can handle well

  • the agent is in the middle of a movie deal, and they don't have time to take on a new writer

  • the book is in a genre that has so many titles coming out later that year already (i.e., vampires, zombies, aliens, dystopian…)

  • the book has a great hook, but the writer's execution is not at the level of the agent's current client list

  • the dialogue is wrong, just wrong

  • the agent already represents someone who writes about zombies, vampires, aliens, etc…

  • the agent is having a baby

  • the agent doesn't connect with the main character in an emotional way

  • the book is good, the idea is new, but the writer needs a lot of editing work

  • the book is good, the idea is new, but the writer is not precise in the execution of the idea

  • the book has an interesting hook, but the writer chose to talk about his/her own life issues in the query letter

  • the agent just did not connect with the book

  • the agent does not like horror or books about aliens or devils or angels

  • the agent loved the book, read the manuscript, and then face-booked the writer….and the party photos or context are not something he/she wants to represent



As you can see, there are many reasons an agent might decide to reject your book. Sometimes it's your execution. Sometimes it's the agent. Sometimes it's the market.



Sometimes you party too hard and show evidence on Facebook!







Advice to you: Keep trying. And if you are getting the same type of rejections, double-think about your manuscript. But if they are varied, try new agents. Start at the less experienced agents and work your way up from there.

Oh…and check your photos that are on the web! 



As always
Write~on
Angie



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